I thought the camera flash exploding was the point.
I liked that the screen was asymmetrical to the left and right.
The face was dark, but the backlight came at an angle and made the silhouette stand out, making the screen look pretty.
If you look at the first part, the facial expressions are dark, probably because the light is coming from above Durant, so you can't see the details - I think it gave room for imagination rather than being too explicit -
Only the outer line of Vincenzo's head and back line are clearly visible.
Because it has the feel of a silhouette, the effect only emphasizes the atmosphere of the camera composition and lighting.
You used the light well
And the camera angle looks rich because it was taken from the bottom up.
Lighting that feels like a spotlight
And the focus is on covering the mouth with the arm and gently closing the eyes.
I really like the composition of this.
It has a grand feel as it is taken very slightly from the bottom to the top.
With the two centered at the bottom left
The ceiling and wall lines in the back rise diagonally, and a light is located at the end point.
Okay-
A production that feels great and sacred.
And at the end, as if to wrap things up, there is a close-up of the feet, but since this is something we often see, let's say we pass.
In this scene, the effect of overlapping and transitioning was very strong, maximizing the dreamy and romantic feel.
It was nice to have the hand on the back instead of going to the waist.
This has strong back lighting.
It's also good because it doesn't show the mouth clearly.
The picture was taken from below